Obama’s Drama: Rating: A Romance? Action-Adventure? Or Comedy?
On a less-auspicious occasion, think what a skilled screenwriter could do with this plot, given the opening scene. Consider all the past presidents, presidential hopefuls, and would-be veeps gathering on the set to wish their opponents well in front of the cameras: Al Gore, Al Sharpton, John Kerry, Jesse Jackson, Dan Quayle, Bill and Hillary Clinton, George and Barbara Bush. To top it off, Dick Cheney shows up in a wheelchair, with a back injury from lifting heavy boxes.
If our country were facing less-serious circumstances, a scriptwriter might have been tempted to turn it into a “Comedy” for movie rating purposes.
But up until today, no-drama Obama has been given a “Romance” rating by the media. Granted, the historic occasion of the election of the first African American added to the romantic theme. Plus, the emotional impact in witnessing any inauguration and the peaceful transition of power puts a lump in the throat of all patriotic Americans. So Obama’s last few weeks and certainly this past weekend of pre-inaugural celebrations have added to the romantic storyline building up to today’s speech.
So what rating does the actual long-awaited historical speech earn?
I’d categorize it as “Action-Adventure.” “Action” in the sense that it was meaty. “Adventure” in the sense that it may have surprised both sides of the aisle in what he did and did not say.
The Plotline
The plotline was surprising—in that it was so, …, well, …. predictable. Surprising, yet predictable? Stay with me here. Given the romance leading up to the swearing-in and actual speech, I expected something magnificent to mark the moment.
From this man with a short résumé who rose to power on his rhetoric, I expected a masterpiece. From this eloquent campaigner, who has kept audiences of up to 80,000 spellbound with his words, I expected an encore. From this inspiring speaker, who engaged the electorate with his energy, who set the example of leadership through language, I expected to see the same powerful delivery and hear the same rousing words.
Okay, let me get specific: I was looking for great alliterative lines or memorable metaphors either to mark the momentous historic occasion or to launch his presidency.
Consider Lincoln’s: “…and that government of the people, by the people, for the people, shall not perish from the earth.”
Consider JKF’s: “Ask not what your country can do for you; ask what you can do for your country.”
Roosevelt’s: “We have nothing to fear, but fear itself.”
There was no such line for school children to quote a decade from now. (His phrase “the price and promise of citizenship” has potential, but the “this is” sentence beginning suggests that it was not crafted to be quoted later.)
That’s not to say Obama’s not a master of the strong verb. He is. That’s not to say he doesn’t understand sentence rhythm. He does. He delivered these strong meaty lines, particularly to terrorist groups: “You cannot outlast us, and we will defeat you.” “To those leaders around the globe who seek to sow conflict, or blame their society’s ills on the West, know that your people will judge you on what you can build, not what you destroy.”
Let’s just put it this way: The movie trailers, the ads, and the anticipation of the occasion led me to expect more. It wasn’t a cliff-hanger.
The Performance
Rather than the great vocal variety we saw him use on the campaign trail, every line was delivered in almost the same way—same volume, same pace, same intensity, same rhythm.
Likewise, about gestures and facial expression. Same, same, same. Gone were the wonderfully smooth, expansive, open, inclusive gestures of his campaign speeches that underscored his key points. Today, he looked saddled with the weight of the office already on his shoulders.
The Theme
With theme, Obama’s drama succeeded. In any presentation or speechmaking course (ours included), the first order of business is to consider your audience and determine your core message to that audience. Obama had three audiences:
- The masses of citizens
- Members of Congress that he needs to cooperate with him to get his plans accomplished
- Leaders and citizens of other countries
He posed a unique question to the first two: “Does government work?” This is not the typical question discussed each time the administration changes hands: “How big should government be and what should or should it not get involved in?”
His theme of personal responsibility set the “Action-Adventure” part of the plan he hopes to lead the country through the next four years.
For as much as government can do and must do, it is ultimately the faith and determination of the American people upon which this nation relies. It is the kindness to take in a stranger when the levees break, the selflessness of workers who would rather cut their hours than see a friend lose their job which sees us through our darkest hours. It is the firefighter’s courage to storm a stairway filled with smoke, but also a parent’s willingness to nurture a child, that finally decides our fate.
…. What is required of us now is a new era of responsibility—a recognition, on the part of every American, that we have duties to ourselves, our nation, and the world, duties that we do not grudgingly accept but rather seize gladly, firm in the knowledge that there is nothing so satisfying to the spirit, so defining of our character, than giving our all to a difficulty task.
This is the price and the promise of citizenship.
In concept, his speech was right on target. Clear. Focused on the challenges this country faces. Back to the fundamentals of what makes the country work: charitable people with good common sense and a desire to be productive.
Let’s hope Congress was listening to that theme of personal responsibility as well.
A Blockbuster Hit?
Will the Obama drama about to open in the global theater be a box office hit during the next four years? Looking at my 401K and considering my kids’ future, I certainly hope so. Besides that, you know what they always say, “Bad rehearsal, great performance.”
Here’s wishing him well. We need four years of a #1 Blockbuster hit.


