Bush’s State-of-the-Union Speech: An Analysis
Political pundits will be analyzing the President’s State-of-the-Union speech today as to length, applause, and flavor. But politics aside, my interest as a communication consultant runs to the hows and whys rather than the whats. Not what were the programs, policies, and people mentioned, but how did he shape his message, how did he phrase this or that reference to make it memorable, why did he include X or omit Y.
For starters, let’s just say the speech didn’t win any ribbons, ranking up there with his top three: his 9-11 speech, his axis-of-evil speech, or his second inaugural speech that laid out the vision for his second term. This one lacked a theme. It sounded more like a list of talking points organized around issues or problems—those solved, those partially solved, and those set before Congress to be solved.
One exception: When he got to the bullet point about terrorism, he contrasted “images that have inspired us” with “images that have sobered us.” Had each of his “problem/issues” bullet points had such an organizational theme or structure, the speech would have been more than a briefing.
But that’s not to say that the several speechwriters’ handiwork didn’t show through here and there. Alliterative phrases were laced throughout:
—“In this election year, let’s show them [the world] we can compete for votes and cooperate for results.”
—Judges should rule “by the letter of the law, not the whim of the gavel.”
—“decades of dictatorship” (speaking of Iraq)
—“calling of our conscious” (referring to genocide in Sudan)
The best line in the speech proved to be his comment regarding his intention not to let the current tax cuts expire. “Some have said they don’t mind paying higher taxes. I welcome their enthusiasm. The IRS accepts both checks and money orders.” The line met hearty laughter from both sides of the aisle.
Finally, a speech is as much about the man as the message—about delivery as well as content. Bush delivers the tough-guy lines best, “I’ll veto it.” He delivers the straight lines like he’s chopping wood, slinging ax against tree stump time after time, sometimes hitting the precise target, and sometimes having the ax head bounce to the side just a little short or long of the targeted pause.
And he looks equally relieved when he’s finished.





